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Category: Criticism & Theory

In Defense of Shelley and Other Essays (Essay Index Reprint

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It is equally apparent that Israel lived in differing forms of social organization over its long history: as extended families or clans under patriarchs, as tribes during the period from Moses to Saul, first as one and later as two kingdoms from David to the destruction of Jerusalem, as refugees groups in homeland and exile, and as a colony under great empires with home rule dually exercised by priests and governors after the exile.

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History of French Dramatic Literature in the Seventeenth

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The cover of this issue shows Disney accompanied by images of Cinderella in ball gown and working garb. Both are united in the ‘divine’ power of imagination, which magnifies, or belittles things and objects, creates new relationships between them and refashions them into new units. In addition to the anthropological data, we need to gather social historical information on prophets and prophetic movements in literate societies and to trace the social and religious contradictions in conflict situations as perceived by the prophetic parties (see my reference in Semeia 21 to the essay by Henri Mottu on ideology in Jeremiah, to be republished in The Bible and Liberation, revised edition, edited by N.

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Poetry for Students: Presenting Analysis, Context and

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More than half of Guns, Germs, and Steel is devoted to elucidating the "ultimate" causes, explaining why differing environments led to differing rates in the acquisition of agriculture, and explaining how the resulting differences largely determined the "fate" (his word) of different peoples. Michel Henry and La Barbarie”, in the The Journal of the British Society for Phenomenology, vol. 44, n. 3, October 2013, 251–264 “The Desire and Pleasure of Evil: The Augustinian Limitations of Arendtian Mind” in The Heythrop Journal, Volume LIV, no. 1, January 2013, 89–100 “The Role of Forgetting in Our Experience of Time: Augustine of Hippo and Hannah Arendt” in Parrhesia: A Journal of Critical Philosophy, Volume 13, 2011, 14–27 “Edith Stein’s Philosophy of Community in her Early Work and in her Later Finite and Eternal Being: Martin Heidegger’s Impact” in Philosophy and Theology, vol. 23, n. 2, 2011, 231–255 Antonio Calcagno and Alain Beaulieu (eds.) Symposium: Canadian Journal of Continental Philosophy, edited special volume on Alain Badiou, vol. 12, no. 2, Fall 2008 Antonio Calcagno and Diane Enns (eds.), Symposium: Canadian Journal of Continental Philosophy, edited special volume on Jacques Derrida, vol. 11, no. 1, Spring 2007 Antonio Calcagno, Badiou and Derrida: Politics, Events and Their Time (New York/London: Continuum, 2007), viii + 136 pp Antonio Calcagno, The Philosophy of Edith Stein (Pittsburgh: Duquesne University Press, 2007), xv + 151 pp Daniel Garrison Brinton: The “Fearless Critic” of Philadelphia (U. of Penn.

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A Peter Fabrizius Reader: Selected Stories, Exilia, Verses,

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Feminist gender theory is postmodern in that it challenges the paradigms and intellectual premises of western thought, but also takes an activist stance by proposing frequent interventions and alternative epistemological positions meant to change the social order. Beardsley (1946) To interpret a poem (or any literary text, though poetry seemed to work best due to length), a reader was to dissect it into its formal structures (images, figures of speech, alliteration, etc.) and then reconstruct the various elements into one unified whole. (I think of it as the theme as gestalt.) Nystrand, Greene and Wiemelt (1993) refer to this as, "poetry qua poetry, that is, neither paraprase, autobiography, inspiration, nor as the poet's expression or, especially, an embodiment of beauty or noble sentiment." (p.274) So, after closely reading a poem, according to the New Critics, the reader should divorce all of her life experiences (as well as anything she knows about the author's life or times) from her reading of the poem.

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The Poetic Achievement of Ezra Pound

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However, in so far as the sequences are – also – ideas for a film, they embody a paradox, since they are not only ideas for a film but actually bits of film themselves. Virginia - Responses to the Holocaust: A Hypermedia Sourcebook for the Humanities) Jean-François Lyotard (bibliography) (UC Irvine Critical Theory Resource/Eddie Yeghiayan, U. Becoming and Bonding: Contemporary Feminism and Popular Fiction by American Women Writers. 1993. Ives (Works of Victor Hugo, New York, 1909).

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Cato To Lord Byron On The Immorality Of His Writings (1824)

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The Marxist aesthetic is an integral part of the totality of Marx’s thought [6]; Marxism is not just another ‘approach’ to literature, to be taken alongside Freudian or mythological criticism (MLC, p. vii); Plekhanov and Mehring were wrong to believe that Marxism had to be supplemented by an aesthetic drawn from Kantianism. But more important than these numbers, concerning the importance or unimportance of which there could possibly be some controversy, are the fundamental religious and ethical ideas which run through and control the larger pericopes of the [toledhoth] of Terah, Isaac and Jacob in such a way that it is impossible to regard this as merely the work of a redactor, and we are compelled to consider the book as the product of a single writer.

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The works of Henry Wadsworth Longfellow Volume 5

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Durgnat, Raymond, ‘… And in Theory: Towards a Superficial Structuralism’, Monthly Film Bulletin no. 609, October 1984. Canadian Woman Studies 17.3 (1997): 36-38. The Cambridge History of Literary Criticism. Manet and the Execution of Emperor Maximillian Essay by John Elderfield. American Renaissance: Art and Expression in the Age of Emerson and Whitman. Umberto Eco, "Ur-Fascism," 1995. (Anais Nin, Henry and June) I will always be the virgin-prostitute, the perverse angel, the two-faced sinister and saintly woman.

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Midcentury Quartet: Bishop, Lowell, Jarrell, Berryman, and

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The imitative art is an inferior who marries an inferior and has inferior offspring. 3. His works will inevitably be full of gloom and catastrophe, and in his final scenes there will be characters standing around making remarks about the sternness of necessity, the vicissitudes of fortune, and the ineluctability of fate. This can be seen in the clear differences between his account of the critique of ideology, which is at once contextualist and antirelativist but also underwrites its own normativity in ways that Horkheimer and Marcuse's more nearly transcendental account could not, given the inevitable tension between philosophical ideals and the historical conditions of current societies and their practices.

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The Good Soldier - Special Edition (Illustrated plus link to

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We Roma Edited by Daniel Baker, Maria Hlavajova. Everything in modern poetry leads to the drama. The critics again rely much too heavily on the argument from silence or absence. Let us take, as a random example, the use of ghosts in fiction. As Black notes, "Biblical documents appear to be mixtures of many genres, blithely compounded by their authors from an enormous range of literary and oral components.... Gynocritics, which developed shoulder-to-shoulder with the Female Aesthetic, attempted to resolve some of these problems, by agreeing that women's literature lay as the central concern for feminist criticism, but "rejected the concept of an essential female identity and style."

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The Thousand and One Nights: From the Earliest Known Sources

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A critical theory of globalization does not only point out the deficits of current practices, but shows the potential for properly organized publics to create new ones. To be considered an auteur, a film-maker must have a body of work which can be analysed for ongoing themes and considerations, whether they occur intentionally or unintentionally. Siqueiros et al: ‘A Declaration of Social, Political and Aesthetic Principles' 1922. Less attention has been given to the meaning of this acknowledgment, or invocation, of the painterly.

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